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Ableton Live 8 released in 2009 continues the now 10 year old series high standards of incredibly high standard software for music recording, production and performance. It has long been an industry standard winning plaudits from all of the usual suspects as well as a number of notable musicians in electronic, rock and a number of other circles. It’s intuitive interface has made it a massive hit since it’s release in 2001, and it remains an impressive piece of software. In it’s field Live 8 has dominated it’s competitors in an incredibly tough field. Here’s an Ableton Live 8 review.
Initially designed solely for music recording, the production aspect of the software has perhaps been the surprise package of the series, coming into it’s own and arguably overshadowing the recording studio aspect. The loop based synthesizer system very much represents this some would say paradigm changing development. It could be argued that it represents a mechanization of the music. Hopefully this Ableton Live review will convince you it’s the software for you.
This ability to easily include software synthesizers and effects from other developers is one of Abletons key strengths. Compatibility issues are virtually unheard of and no special software is needed to use plugins be they VST, Reason, Cubase or any of the other major formats. Again the process is incredibly simple and knowledge of computers or music software is not required at all.
Additionally, ReWire can be easily used with Ableton, working as either a slave or master device is no problem. External controllers, sound cards and so on are also highly unlikely to experience compatibility issues. This is not something that users need to worry about for any type of music or music production. It’s simplicity is at times deceptive.
As a complete studio this piece of software also delivers excellent results, allowing musicians to easily record and edit their work. Much easier than a 4 track or analogue recording device, the incredibly intuitive interface makes it a matter of childsplay to record and edit your work. Sounds are automatically converted into easily editable files which can be edited and played around with just like you would with any digital file.
Although the software is incredibly simple to learn and operate, this can be deceptive at times as users can forget that they are using an incredibly powerful sound engine. Although most people can learn the basics in a few afternoons, making music that can do it justice remains unattainable for all but a few.
One of the features that is developing in a very promising fashion with each new edition is the live performance element. With early versions of the software it was perhaps somewhat neglected, favoring the composition element of the engine, since the 5th edition Ableton Live as a way to use your laptop as an instrument in itself has really come into it’s own. Improvements to the cuing, looping and beat-matching software have finally made it reliable.
Ableton Live keeps up the series rich tradition of providing incredibly intuitive DJ software for a wide range of purposes. It remains and will for some time one of the leaders in it’s field. You can search online for other best DJ equipment.
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